32 | Vows: How a Tree Learns to Love the Wind

 

The Mogollon Rim, Payson, Arizona. The tree does not fight the wind. It keeps its roots and learns to move with the life that moves it.

A few words before we begin. This piece touches betrayal, loss, and grief. Go gently with yourself as you read. I write as a guide and a fellow traveler, not a therapist or a doctor. Nothing here is clinical advice or a substitute for the care of a professional. With that said…


~16 MINS READ


WHY YOUR WORDS ARE SPELLS. THE PAINTING THAT HANDED ME POLARITY BEFORE I HAD LANGUAGE FOR IT. THE ROOTING THE MEN PRACTICED WHILE THE WOMEN BROUGHT THE WIND. WHAT A SCATTER OF ELK BONES IN THE PINES TURNED OUT TO BE SAYING. THE FIELD OF ANCESTORS STANDING BEHIND A SINGLE PROMISE. AND HOW A VOW, UNLIKE AN INTENTION, CAN BECOME SO EMBODIED YOU NO LONGER HAVE TO REMEMBER IT.

(The history of vows, the difference between a vow and an intention, the lineages this draws from, how to write and keep your own, and how I hold this work, are all answered in the FAQs below.)

 
 

A vow is not a cage you build around love. It is the heartwood you grow, the rings a tree lays down by leaning into the wind, so that one day you can stand in real weather and not break.

High country. Payson, Arizona, on the Mogollon Rim, inside the largest unbroken ponderosa pine forest on earth. The sun had just dropped behind the rim, leaving a low orange pulse along the horizon, and I was barefoot on a flagstone still warm from the day, listening to a circle of people breathe, and the wind moving through two and a half million acres of pine.


It was the second night of a relationship reset weekend held by Flora and Michael, a couple who build these containers for a living. The centerpiece was vows. Not wedding vows. Each of us, coupled or single, would write the promises we were willing to be held to, and before we left the mountain, speak them aloud. Flora and Michael held the whole container. I had come to help carry the men's work, and another teacher would carry the women's. The work, with no incidence on job titles, also came to carry me.

Betrayal and heartbreak had taught me to guard the gate, and I had spent years outside of partnership on purpose, tending the wounds instead of handing them to someone new. Now I could feel a threshold coming, intimacy welcome again, and I wanted to cross it awake rather than armored. So when the pen went around, I did not pass it.

One of the participants had found a set of elk bones in the trees, a scatter of weathered skeleton, carried in and set among us like an offering. I kept looking at them across the weekend, not yet knowing what they were telling me.

This is the story of those vows, the inside of a decision.

The vow is the work. Not the wedding. The writing.

The Tree and the Wind

The night before I led the men, I could not sleep, so I went out under the pines to listen. A grown man, barefoot in the dark, taking notes from a tree. The tree did not find this strange, which made one of us. A tree raised without wind grows fast and tall and weak, then falls of its own weight, because the wood that lets a tree stand is the wood it builds in answer to the wind.

I felt the masculine and the feminine in it. The masculine, whatever body it lives in, is the tree, a still point another can lean into. The feminine is the wind that asks the tree to grow strong enough to dance rather than break. Neither is whole alone, and the tension between them is not the problem. The tension is the music. What I mean by masculine and feminine, energies rather than genders, is in a FAQ below.

And then the wind did a funny thing. It brought me the painting.

Someone in that circle had found a piece by the artist Zachary Brown called "Wind Through the Trees" and carried it to me the way you carry something sacred. I had spent the night reaching for words, and the wind sent me the picture in the hands of another. You cannot grip the wind. You loosen your branches and let it move through.

In the painting, two beings face each other across a forest, one streaming like wind, the other barked like an ancient oak, and you cannot tell whether they are about to clash or to kiss. Which is the point. Standing before it, the weekend's assignment came into focus. A vow is how a tree agrees to keep facing the wind. A weekend like this one can fling every door in the chest open, and a night of heart medicine can do the same. A vow is how you keep one open by daylight, long after the glow has faded.

Wind Through the Trees by Zachary Brown, zacharybrownart.com.

now I become myself. it’s taken time, many years and places.
— may sarton

The Rooting

The next morning I led the men. Across the clearing, another teacher worked the women toward the opposite pole, into receptivity and the wild aliveness of the feminine. My task was simpler to say than to do. Help the men become ground.

We dropped roots and practiced staying steady while the women, on cue, brought everything the feminine can bring: seduction, distraction, emotion, chaos, play, and finally their hands, trying to knock a man off his center. Not to win, not to dominate. To stay rooted without going rigid, present without collapsing, here without fixing or fleeing. A tree that fights the wind cracks. A tree with no roots goes over in the first storm. The art is the third thing, rooted and flexible at once, so we practiced it in the body before any of us wrote a word.

Rooted is not rigid. Bending is not breaking.

Soil I Could Trust

The instruction manual was never coming, so you wrote it yourself, in pencil, one wound at a time. I did it the hard way, a double major in heartbreak, from a man still learning to open his heart who keeps count of how often he got it wrong. What I have to show for it is a handful of things, maybe five, that seem true, and the form Flora and Michael held is what let me write them down. Flora did not start us with the vows. She lit a candle, and the room dropped from head into heart. She started with a clearing, a taproot sent down from the base of the spine to the center of the earth, and asked us to forgive ourselves for every broken word. Roots first. Then we claimed the ground, fist to the chest. I am who I say I am, in thought, word, and deed. Your words are spells, she said. I have not stopped thinking about it.

Michael held the floor beneath it. Where Flora moved like weather, he was the ground she moved over, ringing the gong, holding the container, bringing us back to breath and body when the fire outran the wood. Playful, real, complementary, neither one the whole. They were not selling perfection but practicing it, honest about their own marriage, the mess and repair of it, two people doing the work without a net.

That weekend taught me what I had been too armored to see. That I could be held, not only the one holding, that I could put down the facilitator and be a man in a circle, weeping and undefended, and still be safe. Being held like that taught me the love I am so quick to give others is owed, first, to me.

Something lighter came back with that. I am not trying so hard to earn my place by being useful, or right. There is more plain gladness in me now, the kind that does not have to be deserved.

The work Flora and Michael hold draws on a deep well, attachment science, the parts work that lets us meet our protectors, the body that keeps the score. The names and studies are in the FAQs.

Forgive the broken word first. Only then is the new word clean.

the meaning of marriage begins in the giving of words.
— wendell berry

The Vows Themselves

Here is what I wrote that night last June. Five vows. Not good intentions, which evaporate by Tuesday, but the architecture of a life, each shaped against a specific place I had run from. A word before you read them. The instruction was not to list goals. It was to go beneath them, past what anyone would applaud, to the essence of who we are and mean to remain, and to write from there. So these run deep, and they are sacred to the one who speaks them, which is why the page that holds mine says so.

 
 

They are not abstractions. Each is the precise countermove to a place I have been wounded or have wounded. Drink from the deep spring first answers a lifetime of loving thirsty. I stay answers the hand that always reached for the doorknob. That is the secret of a vow with power. It is shaped like the wound, pointed the other way.

And if mine read as lofty, do not measure yours against them. A vow is not graded on its poetry; a plain one you keep outranks a beautiful one you only admire, and the truest vow in any circle is the one shaped like your wound, not like someone else's sentences.

Becoming the Right Person

My grandfather gave me the truest thing anyone ever told me about love, one sentence it took me thirty years to understand. We do not find the right person, he said. We become the right person. These sacred vows above are the blueprint for who I am becoming. A vow aimed at a partner is only a hope. A vow aimed at your own becoming is a practice, and the tending is what makes you safe to love. 

This is not new ground for me. I have long worn my commitments rather than only spoken them. A small pendant hangs at my neck, a promise necklace, because the promise ring felt a little on the nose. I bought it at a Tibetan bookshop when I was houseless in San Francisco and did not love myself at all, one of the first gifts I gave myself, a bet on a man I would not, at the time, have put money on. I have worn it for over a decade, a reminder that I deserved love at the hour I was sure I did not. 

And though I wrote these at what looked like a romantic threshold, a season when love was asking whether I would ever let it all the way in, they were never only about a beloved. The wind moves through every bond, the friend, the work, the morning itself, and a vow is how I keep facing it, whatever door it comes through.

love consists in this, that two solitudes protect and border and greet each other.
— rainer maria rilke

The Field Behind the Vow

One afternoon, I watched a family constellation move through the room. I will not name the one who stood at the center. I will only say the air changed. As the one holding space carried what belonged to all of us, the personal and the inherited braided into one field, and people wept for the dead they had never met. None of our stories, it turns out, are only our own. We had all been booked into the same hour to stand in for one another's ancestors, a group project nobody signed up for and everybody, somehow, got assigned. The universe, apparently, runs an elaborate carpool, and I cannot tell you how the weaver books the room.

I only know what I saw. My mother. The maternal line behind her. My own children ahead of me. Energy moving through every body in the circle like current through a grid, one person's old pain becoming another's healing balm. I sat there with tears running down my face, undone by how life orchestrates its grand design, embarrassingly moved, the way you weep at a wedding for two people you have only just met. 

I had first stood in this kind of field in Cyprus with Stephen Victor back in 2009, and still it found me again, the thread pulling in my chest. And the field carried me back to the vows. A vow is shaped by far more than personal preference. We promise on behalf of those who came before us, and those who come after.

My mother was my first teacher of preverbal betrayal and unconditional love. Behind her runs a maternal line, Scottish and Oglala Lakota, carrying deep trauma and deep reverence I am only beginning to understand. I am a small human holding lifetimes of stories, with only a sliver of it clear to me. My fifth vow, to stand in service to the sacred and the land, I did not invent. I am only the latest courier on a long route. That line, the wound it holds and the reverence it asks, is the weather I walk straight into the companion piece, blogpost 33.

A vow is older than the one who speaks it.

The Other Trees in the Grove

I do not want to make this only my story, because it was not. I was one tree in a grove, and the others are why my own roots went deeper. I will keep them anonymous, but no two vows looked alike, and yours will not look like mine.

A man his partner called rock solid vowed to lead with his heart. A woman who runs fast, in heels, vowed to be wildly generous in her receiving. A mother vowed to treat her own needs as sacred. One vowed to stop running from herself. Not one of them the same. There is no correct vow, only the truest one for where you keep getting stuck.

Later, around the cacao, one man said the thing I keep carrying. The longest love of his life had not been a person but a practice, a devotion he had tended for years. Love is not the person you find. Love is the devotion you practice.

A vow is a private thing, made truer by a circle holding it.

The Circle at Sunset

On the last day, as the sun went down behind the rim, we read our vows aloud in a circle. A couple turned to face each other. A woman read hers to a beloved not in the room. Some grieved a love that had changed shape, their vows closer to elegies. Some of us were single, reaching toward a love we were not ready for, or had not yet met.

When my turn came, something released. The vows I spoke came out barer than the ones I had written, shaped by the circle and the light, and I let them. I sang a song calling in new life, and I wept while I sang it. There is a back door to my heart, the one I had bolted after betrayal and loss, and at that sunset I felt the key turn. What bolted it, and the long reckoning it took to feel the key move at last, belongs to the essay that follows in blogpost 33.

I thought again about the elk bones. What stays, when everything soft has gone back to the earth, is the frame. The bones held the animal up against the wind, and they are the last to remain. That is what a vow is. Not the muscle of a feeling, but the structure that lets a life stand when the seasons have stripped away everything that was only mood.

love is an action, never simply a feeling.
— bell hooks
 
 

A Practice: How to Write Your Own Vows

The vow that changed my life was the precise countermove to my oldest pattern. Yours will work the same way. What is the shape of yours, and which way would it point? Here is the practice, the way Flora ran it. One hour, hand and paper, not a screen. Begin before the writing: slow down, move the body, sit in stillness until you drop from head into heart, so the vows rise from the body and not from the wound that is doing the thinking.

  1. Find the pattern. Name in one plain sentence the thing that keeps repeating. I disappear when I am most wanted. I betray before I can be betrayed… If it hides, look at your last three heartbreaks, or the complaint the people who love you keep making. The pattern is usually the thing you defend.

  2. Clear it. Forgive yourself out loud for every broken word, and where you can, those who broke theirs. Name the words as you go; a general amnesty clears nothing. An unforgiven wound hardens a vow into a demand; forgiven, it stays soft and true.

  3. Claim your ground. Hand on your chest, said out loud: I am who I say I am, in thought, word, and deed. Say it until it lands in the body, not just the mouth. A vow written from borrowed ground will not hold.

  4. Write your vows. Three or four. I wrote five, the overachiever and the contrarian sharing a pen, and the fifth had to argue its way in. Each the countermove to your pattern, shaped like the wound and pointed the other way. If a form helps, use the one mine took: the promise, then the image that holds it, then a short line that seals it. Focus is the active ingredient.

  5. Speak them aloud. The voice makes real what the page cannot. Then read them to one person who knows you, an anchor for the days you drift. Choose someone who will ask about them in a month, not someone who will only applaud tonight.

  6. Live them. Twenty-one to thirty days. Each morning, say them aloud, then carry the one your day is most likely to test. A vow does its real work in the small, unwitnessed moments, the text you want to send and do not, the room you want to leave and stay in, the reflex that meets the vow and becomes a choice. When the old pull rises, that is not the vow failing. That is the vow working. Pause, name the vow, and make the one small move it asks: stay, soften, speak, receive. At night, one line on paper. Where did a vow meet the day, and where did I drift?

Make them lived, not only spoken. Give each vow a body and a rhythm you return to, a worn token, a weekly turn outside, a standing tub time. A weekly integrity check, kept on the calendar, because integrity is the first meeting we cancel. The sacred is not above meeting you in a bathtub. And expect the vows to evolve. A life gets new chapters, and the vows should read like the person now living it wrote them. The daily practice, and the one question that saves relationships, is in the FAQs below.

And I can report from inside the first month. As this publishes, I am some thirty days from the night I wrote mine, still in the morning saying, and the changes are small and specific, which is how I trust them. I reach for the deep spring before I reach for the day. I have stayed in a hard conversation past the minute I would once have left it. I have let myself be seen mid-struggle instead of after I had it solved. And the world has been answering in kind, more truth offered, more ease in the rooms I stay in. Nothing dramatic. A vow does not change the weather. It changes what you meet it with.

And go gently. A vow is not pass or fail, but a direction, and it should stretch you, past the edge of who you already are.

So write yours. Not someday. This week, while the wanting is still warm. You do not find the right life out there. You become it, one kept promise at a time. The vow is where the becoming starts.

A vow is not proof you have arrived. It is a root you keep growing into.

Questions to Sit With

  • What would you vow that you do not yet know how to keep?

  • Which of your promises is quietly taking ground, and which has gone dead and needs new life?

  • What would you promise a person you have not yet met?

  • If a vow could become so embodied you no longer had to remember it, which one would you most want to become?

A Word on Walking This Path

Everything here is the tree, the visible shape you can write and keep. But no vow is made in a vacuum. It grows out of wounds, longing, failure, and inherited stories, and there is weather underneath this one I have not shown you. The severed first bond and the war that taught me to brace. The beloveds I could only half let in, and the honest reckoning that I was not betrayed by the feminine so much as enlisted in the story that it betrays. The slow discipline of becoming a safe man instead of a fixer. You have weather of your own. Every vow does.

Its companion blogpost, Bend: A Reckoning with the Feminine, follows two weeks behind. If this essay was the tree, that one is the wind: the reckoning underneath the promise, why a vow to stay was the hardest one I could make, and how a man learns to stop bracing against the very force that could have made him strong enough to love. It is not only about women. It is the feminine as a force of life, the wind that moves through every real bond, whatever form it takes. The tree holds its shape. The wind is the weather. Neither makes the music alone.

A vow is the tree. But the tree is grown one season at a time, and the growing, not the ceremony where you first speak it, is where a life actually changes shape.


I work with people in two containers, and they are the heart of what I do.

  • Ceremony container is the full guided journey: weeks of preparation, a full day of ceremony held with screening and a sober steward, and the integration that follows, walked one-on-one across a season.

  • Coaching container is the ongoing season of integration: six one-on-one sessions, every other week over three months, where the vow stops being words on a page and becomes the person you are growing into. The deepest and most enduring of what I do.

The first is the journey. The second is the long work of living it.

If we are a fit, that is the work I would do with you. A lighter or free first step is open too: book a 30-mins discovery call, download my Ceremony Readiness Guide, the monthly Online Integration Circle and other events, and, for those I have already walked with one-on-one, the Seekers Circle, a six-month group arc I open once a year.

And if we are not a fit, find your people anyway, another guide, a circle, a therapist, so that you never carry alone what the sacrament and the dark reveal. I do not supply substances. What I offer is companionship, discernment, and steady soles for the long walk into who your vow describes.

If this landed, share it with someone ready to write a promise to themselves worth keeping.

From my Heart to yours,

Yeshua Adonai

Psychedelic Guide

aboutyeshua.com

Yeshua is a traveling psychedelic guide currently based in Scottsdale, Arizona. A USMC combat veteran, former diplomat, and social entrepreneur working in mental health, he has spent decades exploring contemplative traditions and still counts himself a fellow traveler, learning to trust his own experience along the way.


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